Turbulence and Abrupt Stops

The middle section of my book came to an abrupt end, yesterday, as I realized that the scene I was writing and the scene where my main character turns herself in–we’ll say to the “police”–could be smushed into one convenient bundle, and end a whole lot of tramping around the countryside.

It also ends the potential for any of those love-scenes I write when I can’t think of anything to write, and leaves my characters divided and arguing.

Oopsie.

I’ve run into a few instances where things I thought were separate episodes turned out to be elements of the same scene, and they may be the only reason I have any hope of coming in under word count.

They also have a way of getting that story cracking, and I’m positive that’s a good thing.

So, now… MMC doesn’t know it, but FMC has come to “the police station” for two reasons–she intends to leave him in a safe place, and she intends to turn herself in.

For various reasons, he’s not crazy about being left in a safe place, and the accelerated surrender means that I have a plot card that’s just… floating. I need to either ground the plot card, or go back through the draft and remove it, entirely. I haven’t decided which one, yet.

Or, maybe I just haven’t decided how, yet.

So, my sagging middle is starting to tighten up, and I’m reaching the point that I’m happy with the results.

One thought on “Turbulence and Abrupt Stops

  1. LOIS ELSDEN says:

    What a quandary! It’s always interesting to read about the dilemmas other writers have and the headaches to solve the problem.. I cut two whole plotlines out of my last book, they are now in my next – with a lot of rewriting obviously… and yesterday a passing character who was only going to have one small sentence, rang up the main character… what?? Why??? Good grief!!

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