I’m not signing up, just yet, but Patreon has been on the edge of my radar for a while, now.
For those of you who don’t know, Patreon is a platform that allows people to support the creatives they love by pledging various amounts of money per (well, thing created, or month, or… well, you get the picture.)
In exchange, the creatives produce “things” for their patrons, beginning at one end with access to patron-only content (think stories, music, or comic strips) and progressing to bigger, more extravagant rewards as the money goes up. (Think private performances, real-live art, physical, signed copies of books, and sometimes out-takes that never made it into the finished manuscript.)
And in theory–if you’re good enough, or lucky enough–you get paid enough to live, and work on your art, and so forth.
So, getting serious, here.
The first time I heard of Patreon, it was from a rock star. Who had just published a New York Bestselling memoir. Who, even several years later, is making 38,000 dollars per thing.
Well, obviously, her variables do not apply to me.
I’m an introverted writer, and my tits are strictly indoor tits, and by the way, I don’t have a pre-mustered army of fans behind me.
So, I went in search of
lab rats. early adopters who are biologically similar to myself.
That’s easy enough. I headed off to Twitter, and made a list. And every time someone mentioned using Patreon, I added them to the list. Okay. So, there aren’t all that many, and they’re probably not a cross-section. It’s an on-again, off-again hobby. (If you know anyone else who should be on the list, or if you have a Patreon, yourself, send me Twitter handles.)
And now–thank you, hurricane–my teacher Holly Lisle is joining Patreon. Here’s a link, so you can get the scoop straight from her.
That’s another not-my-variables situation, but I’m hoping we’ll hear the inside story of how it’s working, and what she thinks. (You know, assuming she isn’t blown all the way to Canada by the next hurricane.)
As of right now, though… the conclusions I’ve reached are:
- It helps to have a ready-made fan base
- Having a means of reaching out to people who are not fans yet is imperative. (That would be the people at your show who just turned up for the buffalo wings. I’m not really sure where a writer pulls in spectators.)
- Most people are starting way too early, and probably wind up with one or two family members or close friends sending them a buck now and then.
- Rewards should be really well thought out, and consist of multi-disciplinary content.
- If you have a friend who can be talked into jumping, maybe watch them hit the ground before you leave the window, ’cause you only get one chance at the grand opening.
So, any thoughts on Patreon or other pay-the-artist platforms? Tips?
And, again, if you know anybody who’s doing it, send me a message, or leave a comment, and I’ll add them to my List of Glorious Fame.